France, b.1592, d.1635
La Dame à la Grande Collerette et à la Coiffe Retombant en Arrière (The Lady with a Large Collar and a Headdress that Falls to the Back), from La Noblesse de Lorraine (The Nobility of Lorraine)
- c. 1623
- Purchased 1993
- 143 x 92mm
Tags: collars (neckwear), crosses (visual works), dresses (garments), monochrome, people (agents), women (female humans)
La Noblesse de Lorraine translates as ‘the nobility of Lorraine’; this is a region in France. Jacques Callot’s series of etchings preserves the fashionable status of its subjects in fantastic detail through generous displays of cloth, leather, fur and lace. Callot was a member of the Duchy of Lorraine’s nobility, and in 1621 returned to his birthplace of Nancy (Lorraine’s capital) after the death of Cosimo II de Medici, Grand-duke of Tuscany, his patron in Florence. After nine successful years in Florence, Callot struggled at first in Nancy to regain his reputation.
Captivated by the daily life he saw around him, he began making small prints of comedy actors, gypsies and beggars, then turned to the social group to which he belonged. The full series of twelve includes a self-portrait and two etchings of Callot’s fiancée, Catherine Kuttinger. The figure in this etching is believed to represent the artist’s youngest sister Marguerite.
(As Time Unfolds, 5 December 2020 – 7 March 2021)