What’s On
Coming soon.
From Here on the Ground
Our Design Store is having a revamp!
The shop is closed instore and online while we’re getting a fresh new look. Visit us again from 9 May.
Exhibition closing soon.
Spring Time is Heart-break: Contemporary Art in Aotearoa
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Free entry, free wifi
Collection
John Gibb From the Foot of the Hills
Gibb's view of the Canterbury Plains from the foot of Christchurch's Port Hills highlights the agricultural potential of this vast, flat expanse. The plains are also known as Kā Pākihi Whakatekateka a Waitaha, which translates from Māori as the seedbed of Waitaha (the region's early inhabitants). The region was a bountiful food source for the people of Ngāi Tahu, providing just as it does today. The cows standing in the middle of the gentle Heathcote / Ōpāwaho river in this painting provide a reminder, however, that this land needs to be respected if future generations are to continue to benefit from what Kā Pākihi Whakatekateka a Waitaha has to offer.
(John Gibb, 18 December 2015 – 28 August 2016)
Collection
John Gibb Lyttelton Harbour, N.Z. Inside the Breakwater
John Gibb’s Lyttelton Harbour, N.Z., Inside the Breakwater shows a busy port full of ships unloading and loading their cargo. By 1886, when this painting was completed, the town of Ōhinehou Lyttelton had been settled by Pākehā for thirty-seven years, and the port had become one of New Zealand’s busiest. Whakaraupō Lyttelton Harbour provided welcome refuge for ships from Te Moana-nui-a-Kiwa the Pacific Ocean beyond the harbour’s heads, particularly once the breakwater had been completed. Gibb’s painting shows fishing boats, sailing and steam ships, a launch and even a rowboat plying the sheltered waters of the harbour, busily going about their business. It was first shown at the Colonial and Indian Exhibition at the Royal Albert Hall in London in 1886, where it would have served well in promoting the progressive industry of the port and the prosperity of the Canterbury Province to an international audience.
(Ship Nails and Tail Feathers, 10 June – 22 October 2023)
Collection
John Gibb Shades of Evening, the Estuary
By 1880, when the Canterbury Society of Arts was formed, John Gibb was the most popular painter of the Christchurch art world. Gibb was so highly regarded that the very first work acquired for Christchurch’s civic art collection was his Shades of Evening, the Estuary. It was purchased in 1881 by the Canterbury Society of Arts from its inaugural annual exhibition and then presented to the Gallery in 1932. Gibb loved sunsets; the golden hour when there’s still a trace of day in the sky. According to one family member Gibb would drop whatever he was doing in the evening to watch and study the setting sun. His pleasure in the atmospheric effects of evening light is apparent here, as the sun’s last rays create a subtle glow on the clouds, which is also reflected in the water. The view takes in Christchurch’s Ihutai / Avon-Heathcote Estuary.
(March 2018)
