Mary Donald John Robert Godley (detail) 1852. Oil on canvas. Collection of Christchurch Art Gallery Te Puna o Waiwhetu, transferred from Banks Peninsula District Council 2006

Mary Donald John Robert Godley (detail) 1852. Oil on canvas. Collection of Christchurch Art Gallery Te Puna o Waiwhetu, transferred from Banks Peninsula District Council 2006

Such Human Tide

The exhibition He Waka Eke Noa brings together colonial-era, mainly Māori, portraiture alongside objects linked to colonisation – it’s a predictably uncomfortable mix. While the degree of discomfort may depend on one’s background or degree of connection to an enduringly difficult past, objects related to emigration and colonisation can be a useful lenses. As relics from a specific period in global history, when the movement of (particularly) European people was happening at an unprecedented scale, they hold stories with a measure of complexity that obliges an open-minded reading. There is no denying that they speak of losses and gains, of injustices and rewards.

Continued
Notes
Want to join our team of Volunteer Guides?

Want to join our team of Volunteer Guides?

The Gallery has an incredible team of forty Volunteer Guides – and we want more! We’re currently seeking expressions of interest for ten enthusiastic individuals to join us.

Artist interview
A Torch and a Light

A Torch and a Light

Shannon Te Ao is an artist of Ngāti Tūwharetoa descent. In 2016 Te Ao won the Walters Prize for his works, two shoots that stretch far out (2013–14) and okea ururoatia (never say die) (2016). Working in video and other performative practices Te Ao investigates the implications of various social and linguistic modes. Assistant curator Nathan Pohio, himself a nominee for the 2016 Walters Prize, discussed working practice with Te Ao in December 2016.

Notes
Gallery Happenings: Grayson Gilmour

Gallery Happenings: Grayson Gilmour

In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.

Supporter
Cakes by Anna

Cakes by Anna
Foundation partner

Anna Worthington is a Small Business TOGETHER Partner of the Gallery Foundation. She is the creator, baker and maker of Cakes by Anna. After completing her BFA at Elam School of Fine Arts and spending time abroad, she returned to Christchurch and fell into the wonderful world of cake. Outside the kitchen, Anna enjoys gardening, drawing and eating.

Notes
Art Makes Me Fly

Art Makes Me Fly

Take yourself on a flight of fancy with Wayne Youle's latest exhibition Look Mum No Hands.

Exhibition
Your Hotel Brain

Your Hotel Brain

Energies and anxieties from the threshold of the new millennium.

Notes
Vale Ann Betts

Vale Ann Betts

Ann Betts had a long association with the Robert McDougall Art Gallery and Christchurch Art Gallery. She was first appointed as education officer by Rodney Wilson in 1979. This was when the Gallery developed professionally, with new positions being established that included education, curatorial and conservation roles.

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