EY: Art Makes Me

The staff of Strategic Partner EY talk about how art makes them feel ahead of the Gallery’s reopening in December 2015.

Related

Notes
Introducing... Limited edition art-wine and art-beer

Introducing... Limited edition art-wine and art-beer

Don't you love it when your two favourite things come together?

Notes
DO Donate

DO Donate

Under the leadership of new director Blair Jackson, Christchurch Art Gallery Gallery Te Puna o Waiwhetū has extended its focus to become a catalyst for ambitious creativity in the city, collaborating with artists to make new and adventurous works.

We have bold ambitions for our future collaborations and invite you to make them possible by investing in the creativity of New Zealand artists and our city.

Art Do is your opportunity to support the Gallery’s mission. Every dollar raised will go directly to the art – not a cent spared. Here’s how you can be part of it...

Notes
Thirsty? Drink Up This Limited Edition Art Do News

Thirsty? Drink Up This Limited Edition Art Do News

Te Puna o Waiwhetū Christchurch Art Gallery is launching its exclusive new art-wine and an art-beer at Art Do – the new gallery gala. 

Notes
Meet The Artists Who Will Be Entertaining You At Art Do…

Meet The Artists Who Will Be Entertaining You At Art Do…

Six of our favourite artists (and our very own boss) will be playing you chilled beats this October at Art Do. Pull up a seat in the designer surroundings of the Warren and Mahoney vinyl lounge and soak up the dulcet tones.

Notes
Meet The Creative Culinary Team Behind Art Do

Meet The Creative Culinary Team Behind Art Do

Come hungry and do dinner – a collection of contemporary food stations cooked up by some of the best and brightest in the business will feed you at Art Do

Notes
Familiar landscape for our new director

Familiar landscape for our new director

Blair Jackson has been appointed the new director of Christchurch Art Gallery Te Puna o Waiwhetū.

Interview
The London Club

The London Club

In September 2017, Gallery director Jenny Harper, curator Felicity Milburn and Jo Blair, of the Gallery Foundation’s contracted development services, Brown Bread, went to London, taking a group of supporters who received a very special tour of the city’s art highlights. While there, they further developed the Foundation’s new London Club. Recently they sat down together in Jenny’s office…

Notes
Christchurch Art Gallery Foundation's Fifth Annual Gala Dinner

Christchurch Art Gallery Foundation's Fifth Annual Gala Dinner

London's hottest chefs are coming to town – and you're invited to dinner!

Commentary
Anticipation and Reflection

Anticipation and Reflection

This is a time of considerable anticipation at the Gallery: Bridget Riley’s new work for Christchurch is due for completion in late May 2017. A wall painting, it’s the fourth of five significant works chosen to mark the long years of our closure for seismic strengthening following the Canterbury earthquakes of 2010–11. It has been paid for, sight unseen, by a group of wonderful women donors, with further support for costs associated with its installation secured by auction at our Foundation’s 2016 gala dinner.

Exhibition
Shannon Te Ao: Tēnei Ao Kawa Nei

Shannon Te Ao: Tēnei Ao Kawa Nei

Tenderness and human longing are revealed in Shannon Te Ao’s award-winning video installations.

Exhibition
The Devil’s Blind Spot: Recent Strategies in New Zealand Photography

The Devil’s Blind Spot: Recent Strategies in New Zealand Photography

Recent photography by an emerging generation of New Zealand artists.

Exhibition
Wayne Youle: Look Mum No Hands

Wayne Youle: Look Mum No Hands

Full to the brim with high energy, sharp-witted artmaking

Exhibition
Francis Upritchard: Jealous Saboteurs

Francis Upritchard: Jealous Saboteurs

Exquisitely imagined, startlingly strange works by an internationally acclaimed New Zealand artist.

Exhibition
Lisa Walker: 0 + 0 = 0

Lisa Walker: 0 + 0 = 0

New works by an internationally acclaimed New Zealand jeweller.

Exhibition
Energies: Haines & Hinterding

Energies: Haines & Hinterding

See, hear, smell and feel the invisible energies that surround us as Australian artists David Haines and Joyce Hinterding summon unseen forces.

Exhibition
Great Britten! A work by Billy Apple

Great Britten! A work by Billy Apple

Billy Apple blurs the line between life and art with a new installation that celebrates the triumphant, record-shattering 1995 campaign of the Christchurch-designed Britten V1000 motorbike.

Exhibition
Fiona Pardington: A Beautiful Hesitation

Fiona Pardington: A Beautiful Hesitation

A survey exhibition by a leading New Zealand photographer explores sex, death and the female gaze.

Notes
Art makes me fly

Art makes me fly

Simon Turcotte, GM of Singapore Airlines New Zealand, writes on art, Christchurch and why Singapore Airlines partner with the Gallery.

Exhibition
Yellow Ochre Room

Yellow Ochre Room

A painted room which offers space and time for contemplation.

Gallery partner
The Printing Arts

The Printing Arts

PMP Print have been printing Bulletin since late 2013. They sponsor the production of the magazine (which, given our modest budget we greatly appreciate) but more than that, they’re a true partner, going above and beyond to ensure that each edition of Bulletin is produced to the highest quality. We thought you might enjoy a brief insight into the delights and challenges of producing a magazine.

 

My Favourite
Peter Stichbury's NDE

Peter Stichbury's NDE

Anna Worthington chooses her favourite work from the Gallery collection.

Exhibition
Ata Wairere

Ata Wairere

Contemporary works that create subtle openings for connection and contemplation.

 

Notes
Brown Bread on being the change

Brown Bread on being the change

Brown Bread helps Christchurch Art Gallery engage its community to raise funds. They managed the Back the Bull campaign to buy Michael Parekowhai’s Chapman’s Homer and they grow our TOGETHER campaign for the Gallery Foundation—attracting a new family of commercial partners as well as a group of philanthropists to build an endowment fund to purchase major pieces of public art for Christchurch.

 

Notes
Everything is illuminated

Everything is illuminated

On Saturday a gala dinner for Christchurch Art Gallery TOGETHER Foundation marked the illumination of Martin Creed's Work No. 2314, the latest artwork funded by the Foundation. Multi-coloured neon letters, over a metre tall, spell out EVERYTHING IS GOING TO BE ALRIGHT on the Gallery's south wall.

Notes
Bill Culbert, radishes, Hut #2, Bluff Oysters, eccles cakes, The Hendersons, and 250 people.

Bill Culbert, radishes, Hut #2, Bluff Oysters, eccles cakes, The Hendersons, and 250 people.

On Saturday night artist Bill Culbert and chefs Margot and Fergus Henderson helped raise the bar for another extraordinary fundraiser from the Gallery and its Foundation

Collection
Chapman's Homer
Michael Parekowhai Chapman's Homer

When 'Chapman’s Homer' was exhibited at the edge of the devastated central city in 2012, it was positioned between ruin and rebuild just outside the cordon in an empty lot on Madras Street. Our bull stood beside his seated brother while a red carved Steinway piano was played upstairs in an adjacent building. Over thirty days, Parekowhai’s work caught the public imagination as a symbol of the resilience of local people. At once strong and refined, a brutal force of nature and a dynamic work of culture, Chapman’s Homer resonated with local audiences. Subsequently, a public fundraising campaign kept the bull in Christchurch.

Chapman’s Homer was first exhibited in Venice, where Parekowhai represented New Zealand at the 2011 Venice Biennale. It travelled to Christchurch after being shown at the Musée de quai Branly in Paris. Over the past year, we’ve shown it at a number of sites around the city as part of the Gallery's Outer Spaces programme, including Worcester Boulevard, Placemakers Riccarton, New Regent Street, and most recently at Christchurch International Airport. And now the bull is back – standing strong in its permanent home at Te Puna o Waiwhetu Christchurch Art Gallery, welcoming visitors to our reopening exhibitions.

(December 2015)