- On loan to the Christchurch Art Gallery Te Puna o Waiwhetu from the artist
- Acrylic on canvas
- 999 x 1199mm
Watching for Buller is part of a series of work by Bill Hammond that brings together his interests in the land, New Zealand bird-life and 19th century ornithologist Sir Walter Buller. Painted soon after a journey to the Auckland Islands, it references the extinction of native bird species – ironically, as Buller himself contributed to their demise, killing then mounting specimens in glass cases.
In this work, finely decorated birds stand in profile upon a sheer coastal landscape, anxiously awaiting Buller’s arrival. The scene hints at the ways the natural environment and its inhabitants have been exploited, destroyed and driven out.
Hammond was born in Christchurch and studied at the University of Canterbury School of Fine Arts between 1966 and 1968. For a period following his graduation he designed and manufactured wooden toys. He had his first solo exhibition in 1979 and has since exhibited widely in group and solo exhibitions. In 1989 he joined a number of other New Zealand artists on an expedition to Antarctica and the Auckland Islands. He won the James Wallace Award in 1993 and the Visa Gold Art Award in 1994.
De Lautour / Greig / Hammond
An exciting opportunity to see new work by leading Canterbury artists Tony de Lautour, Jason Greig and Bill Hammond
A miscellany of observable illustrations
Romantic notions of gothic leanings, the legacy of Tony Fomison, devotion to rock sub-genres and an eye to the past are familiar and sound reasons to group Tony de Lautour, Jason Greig and Bill Hammond together in one exhibition, but De Lautour / Greig / Hammond is to feature new and recent work. Could all this change? What nuances will be developed or abandoned? Will rich veins be further mined? We can only speculate and accept that even the artists concerned can't answer these questions. For the artist, every work is a new endeavour, a new beginning. What may appear to the public, the critic or the art historian as a smooth, seamless flow of images is for them an unpredictable process where the only boundaries are those that they choose to invent.
Bill Hammond: Jingle Jangle Morning
The long-awaited exhibition is a spectacular survey of more than two decades of work by one of New Zealand's leading contemporary painters.
Coming Home in the Dark
Fourteen artists with connections to the Mainland are represented in an exhibition that explores the dark underbelly of the region's genteel appearance.
Canterbury Painting in the 1990s
A major exhibition celebrating the breadth and diversity of Canterbury painting between 1990 and 2000.
In Greek mythology, Icarus flew too close to the sun, melting the wax that bound his wings and causing him to plunge into the sea. Bill Hammond uses this legend to suggest the threat posed to the natural environment by humans. Hammond’s birds look on dispassionately, their own wings emphasising the absurdity of Icarus’s fatal desire. The Fall of Icarus takes a work by Dutch artist Pieter Bruegel the Elder (c.1558) as a pivotal reference. The same compositional format – elevated viewpoint, figures in the foreground and the tiny body of the fallen Icarus disappearing into the sea – are seen in the original painting. Hammond was born in Christchurch and studied at the University of Canterbury School of Fine Arts between 1966 and 1968. In 1989 he joined a number of other New Zealand artists on an expedition to Antarctica and the Auckland Islands.’Bill Hammond: Jingle Jangle Morning’ (2007) is the most recent survey of Hammond’s work to date, organised by Christchurch Art Gallery Te Puna o Waiwhetu.
Gertrude Demain Hammond was a prolific London illustrator who was also active in exhibiting her watercolours. A Reading from Plato was shown at the Royal Academy in London in 1903 before coming to Christchurch for the 1906–07 New Zealand International Exhibition. There it was purchased by the avid local art collector James Jamieson, who with his brother William, ran one of the city’s largest construction companies.
Following his death in 1927, James’s family presented many works of art from his collection to become part of the Robert McDougall Art Gallery’s founding collection, which at its opening in 1932 consisted of 160 paintings and sculptures.
(Treasury: A Generous Legacy 18 December 2015 – 27 November 2016)
This print appears as 'Edward Hammond Hargraves. The discoverer of gold in Australia.' on page 740 of the 'Picturesque Atlas of Australasia.'