- The Max Gimblett and Barbara Kirshenblatt-Gimblett Gift, 2011
- Pencil, ink, metallic ink, acrylic polymer, oil size, Japanese moonbeam coloured pastel silver leaf / Arches 300 lb Rough Watercolour Paper. France
- 584 x 762mm
Hidden in Plain Sight
In 1997, I went to see an exhibition called White Out, curated by William McAloon for Auckland Art Gallery’s contemporary space. The show’s subtitle unambiguously promised ‘Recent Works by Seven Artists’, but as I completed my circuit I realised I’d come up one maker short.
Unseen: The Changing Collection
A selection of exciting recent additions to Christchurch's public art collection.
Peter Stichbury's NDE
Anna Worthington chooses her favourite work from the Gallery collection.
Brought to Light
Finally, it's finished! It is now four months since we closed the doors on the previous incarnation of Christchurch Art Gallery's collection exhibition, and the intervening period has been a very busy time for all our staff. When Christchurch Art Gallery opened in 2003, the plan, reiterated in the Paradigm Shift document of 2006, was to refresh the hang of the collection galleries after five years. Since then the display has of course not remained entirely static, and visitors will have noticed regular changes as new works entered the collection, light-sensitive works were changed and small focus exhibitions created. But Brought to Light: A New View of the Collection is something altogether more-a refreshment of our entire collection display (not just what, but why) and a re-evaluation of the physical space of the galleries themselves.