Interview

Interview
In The Studio

In The Studio

Paul Moorhouse: We are standing in front of a full-size cartoon for Cosmos, the new wall painting that will be installed at Christchurch Art Gallery. How does the cartoon relate to the final wall painting?

Bridget Riley: The cartoon is painted in gouache on paper, but it gives me a good idea of the full-scale image that will be recreated on the wall in Christchurch. I have also made a smaller painting in acrylic directly onto the wall here in the studio. This is complete in itself, and provides the information I need to give me confidence in the appearance of the discs when the larger image is created on the gallery wall.

Interview
Observing Rituals

Observing Rituals

Kushana Bush is a Dunedin-based artist, whose meticulously detailed and stage-like worlds blend religious themes with secular narratives, often manifesting in ritualistic violence. Her paintings examine what spirituality, ritual and community might mean in a contemporary world. She spoke with Balamohan Shingade of ST PAUL St Gallery in February

Artist interview
A Torch and a Light

A Torch and a Light

Shannon Te Ao is an artist of Ngāti Tūwharetoa descent. In 2016 Te Ao won the Walters Prize for his works, two shoots that stretch far out (2013–14) and okea ururoatia (never say die) (2016). Working in video and other performative practices Te Ao investigates the implications of various social and linguistic modes. Assistant curator Nathan Pohio, himself a nominee for the 2016 Walters Prize, discussed working practice with Te Ao in December 2016.

Artist interview
Not Quite Human

Not Quite Human

Lara Strongman: The title of your new work for the Gallery is Quasi. Why did you call it that?

Ronnie van Hout: Initially it was a working title. Because the work would be outside the Gallery, on the roof, I was thinking of Quasimodo, from Victor Hugo’s The Hunchback of Notre-Dame. I was coming out of a show and research around the idea of the freak, the outsider and things that are rejected—thinking about how even things that are rejected have a relationship to whatever they’ve been rejected by. And I called it Quasi, because it’s a human form that’s not quite human as well. The idea of something that resembles a human but is not quite human.

Artist interview
Fly Shit on the Windscreen

Fly Shit on the Windscreen

In February 2016, Bulletin sent graphic designer and motorbike enthusiast Luke Wood to sit down with artist Billy Apple to discuss bikes, and in particular the Britten V1000. Designed and built in Christchurch by John Britten, the V1000 is the star of Apple’s new exhibition, Great Britten! A Work by Billy Apple. The following extracts were taken from the conversation.

Artist interview
Silent Patterns

Silent Patterns

When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.

Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.

Interview
The last five years

The last five years

An oral history of the Gallery building, 2010-2015.

 

Artist interview
Patrick Pound, gathering thoughts through things

Patrick Pound, gathering thoughts through things

Based in Melbourne Patrick Pound is simultaneously artist, collector, curator, visual list maker and lecturer in photography. He spoke with Serena Bentley, Assistant Curator of Contemporary Art at the National Gallery of Victoria, about the logic of documents and museums of things.

Artist interview
The significance of everyday things

The significance of everyday things

During the winter of 1984 my mother, father and I packed an overnight bag and climbed into Dad’s Hillman Hunter. I was five years old and, as far as I could remember, it was the first time we’d ever ventured outside of Blenheim.

Interview
Jonathan Mane-Wheoki: teacher

Jonathan Mane-Wheoki: teacher

There are some teachers you remember all your life: extraordinary individuals who view learning as a boundless source of energy, both for themselves and their students. This sort of teacher has not only total command of their subject, but an infectious enthusiasm for it that transmits itself to the minds of others. Teachers like this create advocates for their subject. They impart knowledge, but more importantly they show you a way of being in the world. It's a rare teacher who teaches you how to learn, but Jonathan Mane-Wheoki was one such individual.

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