Outer Spaces

Exhibition

Kamala, Astral and Charlotte, Lyttelton, March 1983

Laurence Aberhart's 1983 photograph of Lyttelton children is displayed on our Gloucester Street billboard.

Interview
Silent Patterns

Silent Patterns

When we asked Tony de Lautour to produce a new work for the Bunker—the name Gallery staff give to the small, square elevator building at the front of the forecourt on Montreal Street—he proposed a paint scheme inspired by Dazzle camouflage. Associated with the geometric near-abstraction of the vorticist movement, Dazzle was developed by British and American artists during the First World War to disguise shipping. It was a monumental form of camouflage that aimed not to hide the ship but to break up its mass visually and confuse enemies about its speed and direction. In a time before radar and sonar were developed, Dazzle was designed to disorientate German U-boat commanders looking through their periscopes, and protect the merchant fleets.

Senior curator Lara Strongman spoke with Tony de Lautour in late January 2016.

Article
Sparks that fly upwards

Sparks that fly upwards

Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.

 

My Favourite
Peter Stichbury's NDE

Peter Stichbury's NDE

Anna Worthington chooses her favourite work from the Gallery collection.

Exhibition

Everything is Going to be Alright

Martin Creed's completely unequivocal, but also pretty darn ambiguous, work for Christchurch.

Exhibition

Cosmo

Once upon a time, there was a massive rabbit...

Exhibition

Michael Parekowhai: Chapman's Homer at PlaceMakers Riccarton

Christchurch's favourite bull can now be found at PlaceMakers Riccarton. That may sound a bit unusual, but these are strange times.

Exhibition

David Cook: Meet Me in the Square

Cathedral Square, Centennial Pool, Lancaster Park, schoolboys, punks, nuns – a photographic journey through 1980s Christchurch.

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