Notes
Thirsty? Drink Up This Limited Edition Art Do News

Thirsty? Drink Up This Limited Edition Art Do News

Te Puna o Waiwhetū Christchurch Art Gallery is launching its exclusive new art-wine and an art-beer at Art Do – the new gallery gala. 

Supporter
Brent Williams

Brent Williams
Christchurch Art Gallery Foundation

My favourite artwork is Michael Parekowhai’s Chapman’s Homer – no question. It symbolises the strength of the bull and the strength of Christchurch post-earthquake. I’ve been involved with the Foundation since early 2015 and love what the Foundation is achieving post-earthquake. I enjoy being involved with an organisation that is attracting people back into the city.

Notes
Meet The Creative Culinary Team Behind Art Do

Meet The Creative Culinary Team Behind Art Do

Come hungry and do dinner – a collection of contemporary food stations cooked up by some of the best and brightest in the business will feed you at Art Do

Exhibition
Juliet Peter: Where the Line Leads

Juliet Peter: Where the Line Leads

Delightful observations of character and place, from rural Canterbury to bustling 1950s London.

Notes
Award wins!

Award wins!

We’re delighted to announce that Christchurch Art Gallery Te Puna o Waiwhetū has won a number of accolades at the 21st Museums Australasia Multimedia & Publication Design Awards. The prestigious annual awards celebrate excellence in the Australasian museum sector and were presented on Tuesday evening during a gala dinner in Melbourne.

Collection
Indigenous V
Denise Copland Indigenous V

Through her art, Denise Copland has for many years expressed her concern at the destruction of the indigenous forests of New Zealand. The human impact on the natural environment is the overall theme of her ‘Implantations’ installation of 23 prints, of which this suite of five is a part. The first suite in the installation, these prints gradually move from dark to light. This refers to the gradual clearance of the native forest. Produced on a large scale, the dramatic viewpoint of the prints, looking up the trunk of the trees towards the canopy, intensifies the scale. Copland took the plates for these prints into the bush and worked on them, often using bark as well as an etching needle. Copland is one of New Zealand’s leading printmakers. She was born in Timaru and studied at the Christchurch Polytechnic and the School of Fine Arts at the University of Canterbury. She has gone on to tutor at both those institutions. Copland has exhibited widely in New Zealand and participates regularly in international print exhibitions.

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