This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
US V THEM: Tony de Lautour
Welcome to the low brow, high art world of Tony de Lautour’s paintings, sculptures and ceramics.
For the exhibition Untitled #1050 (25 November 2017 – 14 October 2018) this work was displayed with the following label:
“The form I use in my painting is not really the Māori koru; I think of it in terms of a line ending in a circle and then I break this sometimes. I use free circles. What I have done to the form really is to push it in a direction of geometry so that in my painting I can have not only a positive negative effect of black and white, but also a working of vertical and horizontal which is equally important.”
—Gordon Walters, 1975
The Gallery has an incredible team of forty Volunteer Guides – and we want more! We’re currently seeking expressions of interest for ten enthusiastic individuals to join us.
My main base is in Vienna although I’ve lived a reasonably nomadic life for quite some time now. The last time that I lived in New Zealand was back in 2011, and I left just a few days after the earthquake to start a PhD in Sydney. After four years in Australia I did a couple of residencies in Paris and Italy before moving to Vienna.
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.
Pickaxes and Shovels
See the lives of the early settlers and Kāi Tahu tangata whenua in this selection of extraordinary works by frontier Pākehā artists.