The reopening of Christchurch Art Gallery was a tremendous milestone for the rebuilding and regeneration of Christchurch and we’re delighted to be supporting this landmark institution. The Gallery is for everyone – locals and visitors. We anticipate many of the visitors we bring to the region will include it on their itinerary. We’re proud to support art, artists, the Canterbury region and Christchurch Art Gallery, now and into the future.
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Yellow Moon: He Marama Kōwhai
Yellow is a colour with impact – it’s time to encounter its brilliance.
The focus of this painting is largely psychological. Figures and objects appear to emerge and recede between layers of paint, suggesting visions, memories or dreams, some of which are remembered clearly and others that return only as fragments. Although Séraphine Pick’s painting offers the viewer a choice of many possible interpretations, one obvious theme is that of changing or uncertain identity, shown in the concealment of faces through masks or blurring. Pick has painted some forms and figures onto wet paint, creating a faint, ethereal effect. Spaces are deliberately vague and planes overlap and interpenetrate with an individual logic and seemingly casual randomness which creates its own tensions and ambiguities.
Pick was born in Kawakawa in the Bay of Islands and graduated from the University of Canterbury in 1988. She was the recipient of the Olivia Spencer Bower Award in 1994 and in 1995 was chosen as the Rita Angus Artist in Residence. Pick was the Frances Hodgkins Fellow at the University of Otago in 1999.
The Gallery has an incredible team of forty Volunteer Guides – and we want more! We’re currently seeking expressions of interest for ten enthusiastic individuals to join us.
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.