This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
US V THEM: Tony de Lautour
Welcome to the low brow, high art world of Tony de Lautour’s paintings, sculptures and ceramics.
As with Petrus van der Velden’s The Leuvehaven, this painting by John Gibb provides a view of a bustling port where ships come and go, unloading and loading their cargo. By 1886, when this painting was completed, the town of Lyttelton / Ōhinehou had been settled by pākehā for just over thirty-six years, and the port had become one of New Zealand’s busiest. Lyttelton Harbour / Whakaraupō provided welcome refuge for ships from the Pacific Ocean beyond the harbour heads, particularly once the breakwater had been completed. Gibb's painting shows fishing boats, sailing and steam ships, a launch and even a rowboat plying the sheltered waters of the harbour, busily going about their business. It was first shown at the Colonial and Indian Exhibition at the Royal Albert Hall in London in 1886, where it would have served well in promoting the progressive industriousness of the port and the prosperity of the Canterbury Province to an international audience.
(Reading the Swell 3 September 2016 – 6 February 2017)
The Gallery has an incredible team of forty Volunteer Guides – and we want more! We’re currently seeking expressions of interest for ten enthusiastic individuals to join us.
My main base is in Vienna although I’ve lived a reasonably nomadic life for quite some time now. The last time that I lived in New Zealand was back in 2011, and I left just a few days after the earthquake to start a PhD in Sydney. After four years in Australia I did a couple of residencies in Paris and Italy before moving to Vienna.
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.
Pickaxes and Shovels
See the lives of the early settlers and Kāi Tahu tangata whenua in this selection of extraordinary works by frontier Pākehā artists.