Art absolutely feeds my soul. It makes me feel like a real person. After a year of living with no art I didn’t realise what was wrong until we got it back. We thought “That’s what the problem was!” We just missed it so much.
Art makes me feel complete, connected, it’s just everywhere for me.
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Yellow Moon: He Marama Kōwhai
Yellow is a colour with impact – it’s time to encounter its brilliance.
Having lost his leg while fighting on the Somme during World War I, Archibald Nicoll was confined to painting landscapes in close proximity to where he was able to drive. This is why so many of his landscapes have roads as a central motif. Rather than a hindrance, however, Nicoll put his car to good use and revelled in the freedom it offered, driving all over Canterbury to paint. He would often combine painting excursions with family holidays. The scene in this work is thought to be Balcairn Downs inland from the town of Amberley in North Canterbury.
The Gallery has an incredible team of forty Volunteer Guides – and we want more! We’re currently seeking expressions of interest for ten enthusiastic individuals to join us.
In early March we were lucky enough to have the incredibly talented Grayson Gilmour performing at the Gallery, supported by the equally talented Purple Pilgrims and New Dawn. I love these gigs, but there is a lot of work to be done behind the scenes to make sure that, by the time the public walk in the door, the foyer is gig ready. The process normally feels like a long, slow marathon with a sprint at the final corner. So here’s a guide to how you too can get the NZI Foyer gig-ready in five (or six) easy steps.