B.182

Director's Foreword
Everything is going to be alright

Everything is going to be alright

The cover of Bulletin 181 in September 2015 featured a miscellany of crates in storage, several marked fragile, one weighing 156kg, some with arrows indicating which way up they should be, others instructing the reopener to lay it flat first. Some bear an image of what’s inside. Ralph Hotere’s Malady Panels and Julia Morison’s Tootoo are there, one with a label, the other with an image of the installed piece. As I write this our collections remain in storage. A few new works and some which have been on loan are awaiting return from storage within other institutions.

Commentary
The hungry gap

The hungry gap

We invited artists, academics, city makers, curators, health specialists and gallerists to comment on the challenges and opportunities for the arts in our city and what art can contribute to the future of Christchurch.

 

Article
Sparks that fly upwards

Sparks that fly upwards

Curator Felicity Milburn remembers five years and 101 installations in a gallery without walls.

 

Interview
The last five years

The last five years

An oral history of the Gallery building, 2010-2015.

 

Gallery partner
The Printing Arts

The Printing Arts

PMP Print have been printing Bulletin since late 2013. They sponsor the production of the magazine (which, given our modest budget we greatly appreciate) but more than that, they’re a true partner, going above and beyond to ensure that each edition of Bulletin is produced to the highest quality. We thought you might enjoy a brief insight into the delights and challenges of producing a magazine.

 

Article
Dancing on shifting ground

Dancing on shifting ground

Sophie McKinnon explores art, resilience, change and urban regeneration in China.

In the winter of 2006 I found myself traipsing around the 798 art district in Beijing, in search of someone to talk to about factories morphing into gallery spaces. I was fascinated by the story of a defunct industrial district turned rapidly expanding contemporary art zone. 798 had been the unofficial site of regeneration for Beijing’s art community since 2001. This community had spent over two deca+des plagued by isolation and displacement but seemed finally to be finding a home.

 

 

My Favourite
Peter Stichbury's NDE

Peter Stichbury's NDE

Anna Worthington chooses her favourite work from the Gallery collection.

Article
Twenty days in China and Japan

Twenty days in China and Japan

After ten days in China—where we visited an artist’s studio in a half-empty compound of 140 multi-storey buildings, a private museum of antiquities in a sky-scraper and a tiny artist-run space in a hutong (alleyway), and met writers and curators and art dealers and collectors all over Shanghai and Beijing, with a side trip to Nanjing—I wrote an anguished note to myself: how will I write an article about all this that’s not just a list? 

 

Article
Regional revitalization with art

Regional revitalization with art

Rei Maeda, coordinator of the Echigo-Tsumari Art Triennale, writes on art’s contribution to the regeneration of a remote rural area of Japan.