Jun 1998 – Jul 1998
About this Exhibition
Although Séraphine Pick has featured in past group shows at the McDougall, and is represented in the Collection, this will be her first solo exhibition at the Gallery.
Pick was born in the Bay of Islands in 1964 and graduated from the School of Fine Arts at the University of Canterbury with a Bachelor of Fine Arts (Painting) in 1987. In 1994, she received the Olivia Spencer Bower Award, providing her with the financial freedom to concentrate entirely on painting. In the following year, she moved to Wellington to take up the Rita Angus Fellowship. These two awards have had a significant impact on Pick's painting, with the time away from her secondary career as a teacher allowing her greater development as an artist. In both cases, she was able to produce a substantial body of work which built upon her past style and explored new challenges. In the years since 1994, Pick's work has moved through several distinct stylistic phases and the exhibition at the McDougall Contemporary Art Annex will bring together representative works from each.
Pick's early work employed imagery sourced from significant moments in Art History, making particular use of the Gothic emblems of the Medieval period. By 1994, however, she had developed her own distinctive and captivatingly personal iconography. Works from this period have been described as 'dreamscapes' in which symbolic images from Pick's memory (beds, dresses, pincushions, colanders) float surreally across rich surfaces. These strangely dislocated objects were often domestic in nature, indicating the special significance memory can inject into otherwise everyday objects.
Shortly after making those works, Pick travelled to Europe, where she found she was again overwhelmed by the immense history of European art. When she returned to New Zealand, she began painting in a very different way, using figures and objects sculpted in the round with greens, blues, warm pinks and browns to explore a new-found sensuality and flesh out a gentle, often nauve eroticism.
Pick's newest style is a sophisticated fusion of these two approaches, combining a flattened painting surface with figurative elements which have moved closer than ever to the foreground. One constant feature of Pick's painting throughout the years has been the spidery drawing she scratches into the viscous surface of her canvases. This finely etched calligraphy is retained in her most recent works, contributing to a dreamlike atmosphere of delightful irony.
This exhibition was held at the Robert McDougall Contemporary Art Annex in the Arts Centre.
Helen Calder Yellow, blue, red and black (detail) 2013. Enamel paint, rubber cords. Courtesy of the artist
15 Feb 2014 – 28 Sep 2014
Mark Adams 10.8.1988 Indian Island, after William Hodges' "View in Dusky Bay" (detail) 1988. Silver bromide fibre based prints. Courtesy of the artist and Two Rooms Gallery, Auckland
25 Jan 2014 – 23 Mar 2014
Dick Frizzell Contacts 2003/13. Courtesy of the Artist and the Gow/Langsford Gallery
Worcester Boulevard, between Durham and Montreal streets