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An Unquiet Earth


Having grown up in Wellington and the Manawatu I was accustomed to the earth shaking every now and then, or at least I thought I was. But nothing I had experienced could have prepared me for the violent awakening we received in the middle of that frosty September night in 2010, or the aftershocks that have followed.

<p>Bill Sutton <strong>Te Tihi o Kahukura and Sky VIII (The Citadel of the Rainbow God)</strong> 1979. Oil on canvas. Collection of Christchurch Art Gallery Te Puna o Waiwhetu, purchased 1980</p>

Bill Sutton Te Tihi o Kahukura and Sky VIII (The Citadel of the Rainbow God) 1979. Oil on canvas. Collection of Christchurch Art Gallery Te Puna o Waiwhetu, purchased 1980

For me, the power and scale of the tectonic forces at play in the depths of the Canterbury Plains and Banks Peninsula over the past year or more are best summed up by one word: awe. I'll admit that I may have overused that word in the past – my editor would rap me over the knuckles with a ruler every time I used it when writing my essay for the Van der Velden: Otira catalogue – but in three simple letters it encapsulates the feeling of reverential fear combined with wonder that I feel every time a large shockwave comes rumbling through this town.

This is an unquiet earth. Below us the Pacific and Indo-Australian tectonic plates wrestle it out with each other, leaving us insignificant and powerless in the midst of all the upheaval. One of the most fascinating moments is that split second just before a quake strikes, the fraction of a second when you can hear the subterranean seismic waves racing across the plains towards the city, occasionally accompanied by what appears to be a sonic boom. It's a moment of flight, fight or fright as the old ticker begins working overtime and the adrenalin starts pumping.

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